With any show, I start with reading the script twice. I read just for enjoyment the first time, and to start getting an idea of the production's needs the second time. I knew going into this production that it would be require a large-scale sound design since it was based on a cartoon. I worked very closely through the whole process with the director, music director, choreographer, and foley artist to create a truly unforgettable, fun, and cartoonish show. 

I attended many rehearsals in order to develop the foley artist's toolset and to add sounds when needed. Since we had fleshed out the foley sound effects during the rehearsal period, my main focus in tech was on creating a cohesive band mix, which had extra challenges since every song in the show had been written by a different person.